EDIT//CODE
// MINIMAL AT BOURSE DE COMMERCE
Minimal examines the global evolution of a movement that, since the early 1960s, has radically reimagined the meaning and status of the artwork.
View of the exhibition “Minimal”, Bourse de Commerce – Pinault Collection, Paris, 2025.
© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur/Pinault Collection.


Curated by Jessica Morgan, Director of the Dia Art Foundation, the exhibition unfolds across seven thematic chapters: Light, Mono-ha, Balance, Surface, Grid, Monochrome, and Materialism — revealing distinct yet interconnected trajectories of Minimalist practice worldwide. It brings together an exceptional selection from the Pinault Collection, enriched by significant loans from the Dia Art Foundation and other major public and private collections. With the support of Saint Laurent by Anthony Vaccarello.
Minimal
Characterized by restraint and precision, Minimal dismantles the traditional hierarchy between object and observer. What unfolds here is not simply an aesthetic of reduction but an ethic of attention: a recalibration of how we look, move, and exist within space. Across continents, artists abandoned illusion in favor of encounter, treating the gallery not as neutral ground but as an active terrain of exchange between body, material, and light. The viewer becomes a participant, their presence quietly altering the work itself.
Organised in seven thematics incl. Light, Mono-ha, Balance, Surface, Grid, Monochrome, and Materialism. Curated by Jessica Morgan, Director of the Dia Art Foundation, the exhibition elegantly maps the multiple trajectories of Minimalism without forcing them into a single narrative. I find this curatorial choice both intelligent and generous: it allows for dialogue rather than chronology, resonance rather than repetition. Personally, I am drawn to the section on Light. Perhaps because illumination, more than any other element, collapses the distance between perception and feeling. It is at once the most immaterial and the most sculptural of materials.

View of the exhibition “Minimal”, Bourse de Commerce – Pinault Collection, Paris, 2025.
© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur/Pinault Collection.

View of the exhibition “Minimal”, Bourse de Commerce – Pinault Collection, Paris, 2025.
© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur/Pinault Collection.

View of the exhibition “Minimal”, Bourse de Commerce – Pinault Collection, Paris, 2025.
© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur/Pinault Collection.

View of the exhibition “Minimal”, Bourse de Commerce – Pinault Collection, Paris, 2025.
© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur/Pinault Collection.
With its precise expression and its radicalism that eliminates superfluous detail, Minimal Art captures the heart of the matter. It was through Minimal Art that I realised that the mind could be freed to venture beyond appearances. For the first time, I am revealing the most personal aspect of my art collection. This is the driving force that has accompanied and inspired me for over fifty years.
- François Pinault
Felix Gonzalez-Torres’s Untitled (Portrait of Dad)
An installation of mint candies scattered across the floor, freely available for visitors to take. Deceptively simple, it transforms the minimalist language of repetition and accumulation into something deeply human. The pile, originally weighing 175 pounds, the weight of the artist’s late father, is quietly replenished by the museum each day as visitors consume it, turning maintenance into ritual. What fascinates me is the tension between generosity and disappearance: the more you take, the more complete the work becomes. Minimal. Brilliant.

View of the exhibition “Minimal”, Bourse de Commerce – Pinault Collection, Paris, 2025.
© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur/Pinault Collection.
Avec : Rasheed Araeen / McArthur Binion / Chryssa / Mary Corse / Walter De Maria / Melvin Edwards / Koji Enokura / Dan Flavin / Felix Gonzalez-Torres / Hans Haacke / Maren Hassinger / Mary Heilmann / Eva Hesse / Nancy Holt / Robert Irwin / Donald Judd / On Kawara / Susumu Koshimizu / David Lamelas / Seung‑Taek Lee / Lee Ufan / Sol LeWitt / Francesco Lo Savio / Bernd Lohaus / Brice Marden / Enzo Mari / Agnes Martin / François Morellet / Senga Nengudi / Helio Oiticica / Pauline Oliveros / Blinky Palermo / Lygia Pape / Howardena Pindell / Charlotte Posenenske / Steve Reich / Bridget Riley / Dorothea Rockburne / Robert Ryman / Nobuo Sekine / Richard Serra / Keith Sonnier / Michelle Stuart / Kishio Suga / Jiro Takamatsu / Anne Truitt / Günther Uecker / Yoshi Wada / Merrill Wagner / Meg Webster / Jackie Winsor / Iannis Xenakis

Agnes Martin Blue-Grey Composition, 1962
Pinault Collection
© Agnes Martin Foundation, New York / Adagp, Paris, 2025
Photo : Marco Cappelletti © Palazzo Grassi
The collector François Pinault is one of the most important collectors of contemporary art in the world. The collection he has assembled over the last almost fifty years comprises more than 10,000 works ranging from the art of the 1960s to the present day. His cultural ambition is to share his passion for the art of his time with as many people as possible. He distinguishes himself for his sustainable commitment to artists and his incessant exploration of new domains of creation. Since 2006, François Pinault has focused on three cultural activities in particular: museums, a programme of exhibitions held at large, and initiatives to support artists and promote the history of modern and contemporary art.
The museums began with three exceptional sites in Venice: Palazzo Grassi, acquired in 2005 and inaugurated in 2006, the Punta della Dogana, which opened in 2009, and the Teatrino, which opened in 2013. In May 2021, the Pinault Collection opened its new museum at the Bourse de Commerce in Paris with its- exhibition Ouverture. These four sites were restored and developed by Pritzker Prize-winning Japanese architect Tadao Ando. In the three muse - ums, works from the Pinault Collection are exhibited in routinely changing solo and thematic group exhibitions. All the exhibitions actively involve artists who are invited to create works on site or on the basis of a specific commission. The museum’s significant amount of cultural and educational programming also includes partnerships with local and international insti - tutions and universities.
Text: Anna S.